WEEKLY REQUIRED WORK

These are time sensitive. You do not receive credit if you write them after the deadline each week.

First, there's a blog entry (about 250 words) which will have you respond to a hopefully thought-provoking question. Each week, you must do the blog entry with enough time left in the week to be able to enter into dialogue online with your classmates. Write, reply, write more, reply more, and then write and reply more.

Second, there's a reading. There’s no blog entry associated with this. Just read.

Third, there's a written response to the reading. Your reading and writing on the blog must be completed by the SATURDAY (by midnight) of the week in which the reading falls. This entry should be a long paragraph. YOU DO NOT NEED TO RESPOND TO OTHER STUDENTS' PART THREE EACH WEEK.

Sunday, February 23, 2014

WEEK EIGHT READING

THIS MAY SEEM AN ODD READING FOR THE WEEK, BUT THE IDEA OF "RENT" PARTIES IS FASCINATING, AKIN TO THE CROWD-FUNDING OF SITES LIKE KICKSTARTER.

Langston Hughes' Collection of Harlem Rent Party Advertisements:

These cards, collected by Langston Hughes and held with his papers in Yale’s Beinecke Rare Book and Manuscript Library, advertised “rent parties” to be held in Harlem in the 1940s and 1950s.
Hosts of these gatherings opened up their apartments for a night, charging a fee to guests in return for live music, dancing, and socializing. Food was extra, and the accumulated cash went to help the hosts pay their rent. Sandra L. West points out that black tenants in Harlem during the 1920s and 1930s faced discriminatory rental rates. That, along with the generally lower salaries for black workers, created a situation in which many people were short of rent money. These parties were originally meant to bridge that gap.


As advertisements for the parties, the cards name the kind of musical entertainment attendees could expect using lyrics from popular songs or made-up rhyming verse as slogans. Kathleen Drowne writes that the cards always used euphemisms to name the parties’ purpose. You can see the use of the names “Social Whist Party” and “Social Party” here, but Drowne also mentions cards from the 1920s that advertised shindigs under the names “Too Terrible Party,” “Boogie,” or “Tea Cup Party.”
How did Hughes come to collect these cards? The poet wrote about rent parties and rent party cards in the Chicago Defender in 1957, explaining, “When I first came to Harlem, as a poet I was intrigued by the little rhymes at the top of most House Rent Party cards, so I saved them. Now I have quite a collection.”
 
Hughes noted that rent parties seemed to disappear after the Depression but had returned in the postwar era: “Maybe it is inflation today and the high cost of living that is causing the return of the pay-at-the-door and buy-your-refreshments parties.” He argued that these new parties weren’t as fun as the older ones had been, since live music had been superseded by recorded entertainment. The new cards, however, “are just as amusing as the old ones.”

------
FINALLY, go to the site below to see the examples of the "rent" party cards:
http://www.slate.com/blogs/the_vault/2013/03/14/rent_parties_langston_hughes_collection_of_rent_party_cards.html
 

No comments:

Post a Comment